Online exhibition in 80 objects
Requiem
Object #57
Arnold Schönberg
Requiem
1921/23
Arnold Schönberg Center, Wien
In November 1923 following the death of his wife Mathilde on October 18, Schönberg completed the second part of his poem for a Requiem which he began two years previously in connection with the death of his mother Pauline. In the first written copy the work is “Dedicated to all as they have sacrificed life”; he had originally planned to set the words to music, but the composition did not materialize. Structured in paratactic verses of free rhythm, the “Requiem” is similar to the oratorio text for “Die Jakobsleiter” [Jacob’s Ladder] in its reflections on transcendence, reincarnation and immortality of the soul. The author wants to understand and explain the causality in the “becoming” of the human soul with regard to the sense and purpose of humankind’s creation. Here too, the complex term “idea” present in Schönberg’s art and worldview is thematized in the presentation of the unsolvable tension between idea and word, this life/body and the afterlife/spirit: “You can never pass away, for you have become an idea.”

Self-Portrait
Object #1

Theory of Harmony
Object #2

Hatred
Object #3

Arnold Schönberg
Object #4

Hatred and Critic
Object #5

Aphorisms
Object #6

Response to scholarly questions
Object #7

Poetry
Object #8

Concerning the Spiritual in Art
Object #9

Dank [Thanks], op. 1/1
Object #10

Schenk mir deinen goldenen Kamm (Jesus bettelt) [Give me your golden comb (Jesus begs)] op. 2/2
Object #11

Arnold Schönberg
Object #12

Memory of Oskar Kokoschka
Object #13

A rendezvous
Object #14

A rendezvous
Object #15

Arnold Schönberg
Object #16

Blue Gaze
Object #17

String Quartet No. 2, op. 10/4
Object #18

Chamber Symphony No. 2, op. 38
Object #19

Red Gaze
Object #20

String Quartet No. 1, op. 7
Object #21

String Quartet No. 1, op. 7, Adagio
Object #22

Analysis of Opus 7
Object #23

I may not gratefully, op. 14/1
Object #24

Gaze
Object #25

If I do not touch your body today, op. 15/8
Object #26

Expectation
Object #27

Letter to Hermann Bahr
Object #28

On Opera
Object #29

Expectation, op. 17
Object #30

An Ambition
Object #31

Gazes
Object #32

Painting Influences
Object #33

Photographs
Object #34

Music and Psycho-Analysis
Object #35

Art salon Hugo Heller
Object #36

Publishing house Hugo Heller
Object #37

Gaze
Object #38

Letter to Mathilde Schönberg
Object #39

Florizel’ s spirits]
Object #40

Gustav Mahler
Object #41

Gustav Mahler
Object #42

Piano Piece, op. 19/6
Object #43

Funeral of Gustav Mahler
Object #44

Gustav Mahler
Object #45

Tears
Object #46

Gustav Mahler’s grave
Object #47

Bells at Thury
Object #48

Gaze
Object #49

Sketch of a piece for orchestra
Object #50

Piano Piece, op. 11/2
Object #51

Draft of a will
Object #52

Vision of Christ
Object #53

Pauline Schönberg
Object #54

Self-Portrait
Object #55

Mathilde Schönberg
Object #56

Requiem
Object #57

After Mathilde’s death
Object #58

Gaze (Karl Kraus: The Great Wall of China)
Object #59

Adorn thyself, o dear soul
Object #60

Gaze
Object #61

Foliage of the Heart, op. 20
Object #62

Self-Portrait
Object #63

Portrait
Object #64

Arnold Schönberg’s apartment
Object #65

Seraphita, op. 22/2
Object #66

Woodcut on Schönberg’s Jakobsleiter
Object #67

Drawing in reply to a dedicated woddcut
Object #68

Jacob’s Ladder
Object #69

Adolphe Willette’s last vision
Object #70

Jacob’s Ladder, The Soul
Object #71

Jacob’s Ladder, recitation
Object #72

Gaze
Object #73

Jacob’s Ladder
Object #74

Offstage orchestras
Object #75

Thinking
Object #76

Moses und Aron
Object #77

Self-Portrait
Object #78

Moses und Aron
Object #79

Self-Portrait
Object #80